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It shows a pronounced R & B influence- emphatically on the title track-but also in Hendrix’s choices in other areas of the record, such as the backing vocals on “House Burning Down.” The set charted at #1 in the U.S., and one of the singles, a cover of Bob Dylan’s “All Along the Watchtower,” gave Hendrix his sole Top 40 hit in the U.S. It’s also the only album he produced himself. I hear “Burning of the Midnight Lamp” in a strange sci-fi movie.Įlectric Ladyland stands as the last album Jimi Hendrix recorded with the Experience, and the last studio effort released in his lifetime. “All Along the Watchtower” would also place the film in time in much the same way.
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“House Burning Down” would make a tremendous addition to a movie about the rise of African-American political activism in the late 60s. Music from this album would be a great soundtrack to this movie: The mystical Hendrix is in “1983…A Merman I Should Turn to Be,” Hendrix the blues musician is incredibly present in “Voodoo Chile,” and the artist who transcends description is in “All Along the Watchtower” and every other track.
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In some ways, it remains the most layered and subtle of Hendrix’s recordings-and because of its length and variety, I still find much to hear. This album still demands my undivided attention, even after listening to it for nearly 50 years. I also think of Bob Dylan because of Hendrix’s definitive interpretation of “All Along the Watchtower.” I would listen to this album while: I hear a bit of Curtis Mayfield on the title track, and other R & B techniques are clear in the backing vocals throughout the album and in Hendrix’s rhythm guitar playing. Electric Ladyland shows a more pronounced soul influence than his first two studio recordings. Jimi Hendrix toured with R&B musicians early in his career, including the Isley Brothers and Curtis Knight. Review By Joe Taylor When I listening to this album I think of this band or music: